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米津玄師 – IRIS OUT「第76回NHK紅白歌合戦」 Kenshi Yonezu – IRIS OUT (76th NHK Kouhaku Performance)
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Kenshi Yonezu 米津玄師
"IRIS OUT" ta Kenshi Yonezu wata waƙa ce mai ratsa zuciya da sanyaya rai wadda ke cikin kundin waƙokinsa na 2024 mai suna *LOST CORNER*, kuma ita ce waƙar jigo na babban fim ɗin nan mai suna *The Last Mile*. Ga sharhin waƙar:1. Jigon Waƙar baki ɗayaWaƙar tana bincika jigogi na ƙarshen lamari, kammalawa, da kuma dorewar tunani a cikin duniyar da ke fuskantar rugujewa ko kuma wadda injina suka mamaye ta. Sunan waƙar ya fito ne daga wata dabarar silima inda ake rufe hoto ta hanyar kewayayyen haske da ke raguwa (wato "Iris Out"). Kalaman waƙar sun fi mayar da hankali kan abubuwan da ke rage saura lokacin da labari ya zo ƙarshe, da kuma yadda mutane ke samun ma'ana a cikin "ƙananan abubuwa marasa mantuwa" a tsakanin babban tsarin duniya da bai damu da kowa ba.2. Sharhin Muhimman Kalaman Waƙar* "The Iris Out of the world" (世界がアイリスアウトする): Wannan siffantawa ce da ke nuna yadda mahanga ke ƙuntatawa. Yayin da duniya ke ƙara sarkakiya da rudani (da ke ishara zuwa ga harkar sufuri da saye-saye a cikin fim ɗin *The Last Mile*), waƙar tana ba da shawarar mayar da hankali kan wani ɗigon haske na sirri guda ɗaya kafin duhu ya mamaye ko'ina.* "I don't need anything other than what I cannot forget" (忘れられないことの他には何もいらない): Wannan layin yana jaddada cewa abubuwan duniya da nasarorin rayuwa ba su kai darajar abubuwan da mutum ya ji a ransa ba. Yana nuna "sauƙaƙa wa rai rayuwa," inda tunani da abubuwan da aka fuskanta su ne kawai abubuwa masu kima na gaske.* "The sandcastle that we built together" (二人で作った砂の城): Wannan wani jigo ne da Yonezu ya saba amfani da shi wanda ke nuna raunin dangantakar mutane da ƙoƙarinsu. Ko nawa ne aka wahala wajen gina wani abu, lokaci zai zo ya tafi da shi, amma duk da haka, wannan ƙoƙarin na gina shi yana da muhimmanci sosai.3. Yanayin Yanayi na RaiWaƙar tana ɗauke da yanayi na haƙuri mai cike da baƙin ciki haɗe da natsuwa. Tana farawa ne da sauti mai sanyi da yanayi na injina, wanda ke nuna yanayin masana'antu da ake gani a fim ɗin. Amma yayin da sautin waƙar yake ƙaruwa, sai ta rikiɗa zuwa wata waƙa mai ratsa zuciyar mutum, wadda take ji kamar "haske mai dumi a cikin ɗaki mai duhu."4. Yanayin Al'ada* **Alaƙa da Fim ɗin *The Last Mile*:** An rubuta waƙar ne musamman don fim ɗin *The Last Mile*, wanda yake da alaƙa da jerin wasannin kwaikwayon nan na *Unnatural* da *MIU404*. Waɗannan ayyukan suna sukar "ɓangaren duhu" na aikin wahala a Japan ta zamani da kuma yadda harkar sufuri ta duniya ba ta tsayawa don kowa. "IRIS OUT" tana zama kamar hanyar sauke numfashi ga masu kallo bayan sun ga wahalhalun da jaruman fim ɗin suka fuskanta.* Muhimmancin NHK Kouhaku: Duk da cewa Kenshi Yonezu sananne ne wajen zaɓen wuraren da yake fitowa a talabijin, yin wasa a bikin NHK Kouhaku Uta Gassen shi ne babban karramawa na kiɗa a Japan. Kasancewarsa a wurin yana nuna matsayinsa na "mawaƙin ƙasa" wanda ke bayyana tunanin mutanen Japan na yau.5. Matsayin Mawaƙin"IRIS OUT" tana nuna canji a rayuwar waƙar Yonezu zuwa sauti mai balaga, na zamani, da salon fina-finai. Ta bar salon nan na hayaniyar zamaninsa na "Vocaloid" ko waƙarsa mai ƙarfin gaske ta "KICK BACK," maimakon haka ta koma wani salon mai zurfi irin na "Lemon" ko "Pale Blue." Wannan ya ƙara tabbatar da matsayinsa na mawaƙi wanda zai iya fassara sukar al'umma mai sarkakiya (irin wadda ke cikin *The Last Mile*) zuwa abubuwan da suka shafi zuciyar kowane mutum.
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