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ะกะฟั–ะฒะธ

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SadSvit, 1,9ย Mย lectures

ะกะฟั–ะฒะธ

SadSvit, 1,9ย Mย lectures

ืžืงื•ืจ ื”ืืžืŸ: SadSvit ื”ื™ื ืงื‘ื•ืฆืช ืžื•ื–ื™ืงื” ืื•ืงืจืื™ื ื™ืช ื”ื™ื“ื•ืขื” ื‘ืฉื™ืœื•ื‘ ื–'ืื ืจื™ื ืฉื•ื ื™ื ื›ื“ื™ ืœื™ืฆื•ืจ ืืช ื”ืกืื•ื ื“ ื”ื™ื™ื—ื•ื“ื™ ืฉืœื”. ื”ื ืžื’ื™ืขื™ื ืžืื•ืงืจืื™ื ื” ื•ืžืขืจื‘ื‘ื™ื ืืœืžื ื˜ื™ื ืžืกื•ืจืชื™ื™ื ืขื ื ื•ืฉืื™ื ืžื•ื“ืจื ื™ื™ื, ืœืจื•ื‘ ื ื•ื’ืขื™ื ื‘ื ื•ืฉืื™ื ื—ื‘ืจืชื™ื™ื ื•ืื™ืฉื™ื™ื ื‘ืฉื™ืจื™ื”ื.ื–'ืื ืจ: ื”ืฉื™ืจ "ะกะฟั–ะฒะธ" ืžืงื™ืฃ ื–'ืื ืจื™ื ื›ืžื• ืจื•ืง ืืœื˜ืจื ื˜ื™ื‘ื™ ื•ืื™ื ื“ื™, ื•ืžืื•ืคื™ื™ืŸ ื‘ืžื‘ื ื” ืžืœื•ื“ื™ ื•ื‘ืžื™ื•ื—ื“ื™ื ืื™ื ื˜rosืคืงื˜ื™ื‘ื™ื™ื.ื ื•ืฉื ื›ืœืœื™: ื”ืฉื™ืจ ืขื•ืกืง ื‘ืชื—ื•ืฉื•ืช ืฉืœ ื ื™ื›ื•ืจ ื•ืจืฆื•ืŸ ืœื‘ืจื™ื—ื” ืžืกื‘ื™ื‘ื” ืืคืœื” ื•ื“ื›ืื ื™ืช. ื”ื•ื captures longing for light and freedom in a city shrouded in gloom, reflecting on the power of music as a means of liberation.ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—:- "ะฏ ะถะธะฒัƒ ัƒ ะผั–ัั‚ั– ั‚ะตะผะฝะพะผัƒ" (ืื ื™ ื’ืจ ื‘ืขื™ืจ ืืคืœื”) ืžืกืžืœ ืชื—ื•ืฉืช ื™ื™ืื•ืฉ ื•ืžืฆื•ืงื”. ื”ื“ื™ืžื•ื™ ืฉืœ ืขื™ืจ ืืคืœื” ืงื•ื‘ืข ืžืฆื‘ ืจื•ื— ืขื’ืžื•ืžื™, implying struggles and challenges faced by the narrator.

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- "ะกะบะฐะทะฐั‚ะธ 'ะฟั€ะธะฒั–ั‚' ัะพะฝั†ัŽ ะฝะตะฒะฟะธะฝะฝะพะผัƒ" (ืœื•ืžืจ 'ืฉืœื•ื' ืœืฉืžืฉ ื”ื‘ืœืชื™ ื ืœืื™ืช) ืžื™ื™ืฆื’ ืจืฆื•ืŸ ืœื”ืชื—ื‘ืจ ืœืฉืžื—ื” ื•ืœื—ื™ื•ื‘ื™ื•ืช, ื‘ื ื™ื’ื•ื“ ื—ื“ ืขื ื”ืฉื•ืจื•ืช ื”ืงื•ื“ืžื•ืช ืขืœ ื”ื—ื•ืฉืš.- ื”ืžื™ืœื™ื ื”ื—ื•ื–ืจื•ืช "ะกะบั€ั–ะทัŒ ะปัƒะฝะฐั‚ะธะผัƒั‚ัŒ ะปะธัˆ ัะฟั–ะฒะธ" (ื‘ื›ืœ ืžืงื•ื ื™ื™ืฉืžืขื• ืจืง ืฉื™ืจื™ื) ืžืฆื‘ื™ืขื•ืช ืขืœ ื›ืš ืฉื”ืžื•ื–ื™ืงื” ื™ื›ื•ืœื” ืœื—ืฆื•ืช ืืช ื”ื“ื›ื“ื•ืš, ืžืฆื™ืขื” ื ื™ื—ื•ื ื•ืžืงืœื˜ ืžื”ืžื—ืฉื‘ื•ืช ื”ืžื˜ืจื™ื“ื•ืช.ื˜ื•ืŸ ืจื’ืฉื™: ื”ืฉื™ืจ ืžืขื‘ื™ืจ ืชืขืจื•ื‘ืช ืฉืœ ืžืœื ื›ื•ืœื™ื” ื•ืชืงื•ื•ื”. ื™ืฉ ืชื—ื•ืฉืช ื›ืžื™ื”ื” ืœื—ื™ืจื•ืช ื•ืœืื•ืจ ื‘ืชื•ืš ื”ื—ืฉื™ื›ื”, ืžืขื•ืจืจืช ืจื’ืฉื•ืช ืฉืœ ื ื•ืกื˜ืœื’ื™ื” ื•ื—ื™ืคื•ืฉ ืื—ืจื™ ืฉืงื˜.ื”ืงืฉืจ ืชืจื‘ื•ืชื™: ื”ื“ื™ืžื•ื™ื™ื ืฉืœ ื—ื™ื™ื ืขื™ืจื•ื ื™ื™ื ื•ื”ืžืื‘ืง ื ื’ื“ ืืชื’ืจื™ื ืกื‘ื™ื‘ืชื™ื™ื ื•ืจื’ืฉื™ื™ื ืžื”ื“ื”ื“ื™ื ืขื ื ื•ืฉืื™ื ืจื—ื‘ื™ื ื™ื•ืชืจ ื‘ืžื•ื–ื™ืงื” ื”ืื•ืงืจืื™ื ื™ืช, ื‘ืžื™ื•ื—ื“ ืœื’ื‘ื™ ื”ืืงืœื™ื ื”ื—ื‘ืจืชื™-ืคื•ืœื™ื˜ื™ ื”ืขื›ืฉื•ื•ื™ ื‘ืžื“ื™ื ื”. ื”ืฉื™ืจ ืขืฉื•ื™ ืœืฉืงืฃ ื›ืžื™ื”ื” ืงื•ืœืงื˜ื™ื‘ื™ืช ืœื™ืžื™ื ืžื•ืืจื™ื ื™ื•ืชืจ amid adversity.ื”ืงืฉืจ ืœืืžืŸ: "ะกะฟั–ะฒะธ" ืžืฉืชืœื‘ ื‘ื—ืงื™ืจื” ืฉืœ SadSvit ื‘ื ื•ืฉืื™ื ืจื’ืฉื™ื™ื ืขืžื•ืงื™ื ื•ื‘ื‘ืขื™ื•ืช ื—ื‘ืจืชื™ื•ืช. ื”ื•ื ืžืฆื™ื’ ืืช ื”ืกื’ื ื•ืŸ ื”ื™ื™ื—ื•ื“ื™ ืฉืœื”ื ืฉืœ ืžื•ื–ื™ืงื” ืžืœื ื›ื•ืœื™ืช ืืš ืžืขื•ืจืจืช ื”ืฉืจืื”, ื•ืžื—ื–ืง ื ื•ืกืฃ ืืช ืžืงื•ืžื ื‘ืกืฆื ืช ื”ืžื•ื–ื™ืงื” ื”ืื•ืงืจืื™ื ื™ืช ื”ืžื•ื“ืจื ื™ืช. ื”ืฉื™ืจ ื”ื–ื” ืžืฆืจืฃ ืืช ื”ืงื˜ืœื•ื’ ืฉืœื”ื ืขืœ ื™ื“ื™ ื”ื“ื’ืฉืช ื”ื™ื›ื•ืœืช ืฉืœื”ื ืœืฉืœื‘ ืžืื‘ืงื™ื ืื™ืฉื™ื™ื ืขื ื”ืจื”ื•ืจื™ื ืชืจื‘ื•ืชื™ื™ื ืจื—ื‘ื™ื ื™ื•ืชืจ.

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