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Cumbias Viejitas

ื”ื ื” ืชืจื’ื•ื ืฉืœ ื ื™ืชื•ื— ื”ืฉื™ืจ "Charanga" ืœืขื‘ืจื™ืช:ื”ืฉื™ืจ "Charanga" (ื”ืžื•ื›ืจ ืœืขื™ืชื™ื ื‘ืฉื "La Charanga") ื”ื•ื ื ื›ืก ืฆืืŸ ื‘ืจื–ืœ ื‘ืกื•ื’ืช ื”-"Cumbias Viejitas" โ€“ ืžื•ื ื— ื”ืžืฉืžืฉ ืœืชื™ืื•ืจ ืงื•ืžื‘ื™ื•ืช ืงืœืืกื™ื•ืช ื•ื ื•ืกื˜ืœื’ื™ื•ืช ืžืืžืฆืข ื”ืžืื” ื”-20. ืืฃ ืขืœ ืคื™ ืฉืžืกืคืจ ืืžื ื™ื ื”ืงืœื™ื˜ื• ืœื• ื’ืจืกืื•ืช, ื”ื•ื ืžื–ื•ื”ื” ื‘ืขื™ืงืจ ืขื ืฆืœื™ืœ ื”"ื‘ื™ื’-ื‘ื ื“" ื”ื˜ืจื•ืคื™ ืฉืœ ืฉื ื•ืช ื”-60 ื•ื”-70.ืœื”ืœืŸ ื ื™ืชื•ื— ืฉืœ ื”ืฉื™ืจ:1. ืชืžื” ืžืจื›ื–ื™ืชื”ืฉื™ืจ ื”ื•ื ื—ื’ื™ื’ื” ืชื•ืกืกืช ืฉืœ ืžื•ื–ื™ืงื” ื•ืจื™ืงื•ื“ ืงื”ื™ืœืชื™. ื”ื ื•ืฉื ื”ืขื™ืงืจื™ ืฉืœื• ื”ื•ื ื”ื˜ื‘ืข ื”ื‘ืœืชื™ ื ื™ืชืŸ ืœืขืฆื™ืจื” ืฉืœ ืžืงืฆื‘ ื”"ืฆ'ืจื ื’ื”" ื•ื™ื›ื•ืœืชื• ืœืื—ื“ ืื ืฉื™ื ื‘ืžืฆื‘ ืฉืœ "gozadera" (ื”ื™ืœื•ืœื” ืขืœื™ื–ื”). ื”ืฉื™ืจ ืžืฉืžืฉ ื”ืŸ ื›ื”ื–ืžื ื” ืœืจื—ื‘ืช ื”ืจื™ืงื•ื“ื™ื ื•ื”ืŸ ื›ืžื—ื•ื•ื” ืœืกื•ื’ื” ื”ืžื•ื–ื™ืงืœื™ืช ืขืฆืžื”.2. ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—* "Que siga la charanga" (ืฉืฆ'ืจื ื’ื” ืชืžืฉื™ืš): ื–ื”ื• ื”ืคื–ืžื•ืŸ ื”ืžืจื›ื–ื™ ื•ื”ื•ื ืžื”ื•ื•ื” ื”ื•ืจืื” ืœืœื”ืงื”. ื‘ื”ืงืฉืจ ื–ื”, ื”ืžื™ืœื™ื ืžื™ื™ืฆื’ื•ืช ืืช ื”ืฉืื™ืคื” ืฉื”ืžืกื™ื‘ื” ืœื ืชื™ื’ืžืจ ืœืขื•ืœื ื•ืฉื”"ืื ืจื’ื™ื•ืช ื”ื˜ื•ื‘ื•ืช" ื™ื™ืžืฉื›ื• ืœืœื ื”ื’ื‘ืœื”.

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* "A bailar, a gozar" (ืœืจืงื•ื“, ืœื™ื”ื ื•ืช): ืืœื• ื”ื ืฉื ื™ ืขืžื•ื“ื™ ื”ืชื•ื•ืš ืฉืœ ื”ืฉื™ืจ. ื”ืžื™ืœื™ื ืžืชืžืงื“ื•ืช ืคื—ื•ืช ื‘ืกื™ืคื•ืจ ืกื™ืคื•ืจื™ื ื•ื™ื•ืชืจ ื‘ืงืจื™ืื•ืช "Call-and-response" (ืงืจื™ืื” ื•ืชื’ื•ื‘ื”) ื”ืžื ื—ื•ืช ืืช ืชื ื•ืขื•ืช ื”ืžืื–ื™ืŸ ื•ืืช ืžืฆื‘ื• ื”ืจื’ืฉื™.* "Ritmo sabroso" (ืžืงืฆื‘ ื˜ืขื™ื/ืขืกื™ืกื™): ื‘ืžื•ื–ื™ืงื” ืœื˜ื™ื ื™ืช, "ื˜ืขื" (sabor) ื”ื•ื ืžื˜ืืคื•ืจื” ืœื ืฉืžื” ื•ืื•ืชื ื˜ื™ื•ืช. ื‘ื›ืš ืฉื”ื–ืžืจ ืžื›ื ื” ืืช ื”ืžืงืฆื‘ "ื˜ืขื™ื", ื”ื•ื ืžื“ื’ื™ืฉ ืืช ื”ืกื™ืคื•ืง ื”ืคื™ื–ื™ ื”ืขืžื•ืง ืฉื˜ืžื•ืŸ ื‘ืงืฆื‘.3. ื˜ื•ืŸ ืจื’ืฉื™ื”ื˜ื•ืŸ ื”ื•ื ืื•ืคื•ืจื™ ืœื—ืœื•ื˜ื™ืŸ ื•ืื ืจื’ื˜ื™ ืžืื•ื“. ืื™ืŸ ืžืงื•ื ืœืžืœื ื›ื•ืœื™ื” ื‘-"Charanga". ื”ืฉื™ืจ ืžืฉื“ืจ ืชื—ื•ืฉื” ืฉืœ ืฉื—ืจื•ืจ, ืชื ื•ืขื” ื•ืื•ืฉืจ ืงื•ืœืงื˜ื™ื‘ื™. ืกืงืฆื™ื•ืช ื›ืœื™ ื”ื ืฉื™ืคื” ื”ื‘ื”ื™ืจื•ืช ื•ื”ืงืฉื” ื”ื“ื•ืžื™ื ื ื˜ื™ืช ื™ื•ืฆืจื•ืช ืื•ื•ื™ืจื” ืฉืœ ืคืกื˜ื™ื‘ืœ ื›ืคืจื™ ("pueblo") ืฉื‘ื• ื”ื“ืื’ื•ืช ื ืฉื›ื—ื•ืช ืœืจื’ืข.4. ื”ืงืฉืจ ืชืจื‘ื•ืชื™ืžื‘ื—ื™ื ื” ื”ื™ืกื˜ื•ืจื™ืช, Charanga ื”ื™ื” ืกื•ื’ ืกืคืฆื™ืคื™ ืฉืœ ื”ืจื›ื‘ ืžื•ื–ื™ืงืœื™ ืงื•ื‘ื ื™ ืฉื›ืœืœ ื—ืœื™ืœ ื•ื›ื™ื ื•ืจื•ืช. ืขื ื–ืืช, ื›ืฉื”ืฆืœื™ืœ ื ื“ื“ ืœืงื•ืœื•ืžื‘ื™ื” ื•ืžืงืกื™ืงื• (ื•ื”ืคืš ืœื—ืœืง ืžื”ืงื ื•ืŸ ืฉืœ ื”-"Cumbias Viejitas"), ื”ืžื•ื ื— ื”ืชืคืชื— ืœืชื™ืื•ืจ ืกื’ื ื•ืŸ ืžื•ื–ื™ืงื” ื˜ืจื•ืคื™ ืชื•ืกืก, ืขืฉื™ืจ ื‘ื›ืœื™ ื ืฉื™ืคื” ื•ืžื”ื™ืจ. ื‘ืชืจื‘ื•ืช ื”ืืžืจื™ืงืื™ืช-ืœื˜ื™ื ื™ืช, ื”ืฉื™ืจ ื”ื–ื” ื”ื•ื ื—ืœืง ืžื”-DNA ืฉืœ ื”"ืคืจืื ื“ื”" (Parranda - ื—ื’ื™ื’ื”/ืžืกื™ื‘ื”) โ€“ ื–ื”ื• ืกื•ื’ ื”ืžื•ื–ื™ืงื” ืฉืžื•ืฉืžืข ื‘ื—ืชื•ื ื•ืช, ื‘ื—ื’ ื”ืžื•ืœื“ ื•ื‘ืžืคื’ืฉื™ื ืžืฉืคื—ืชื™ื™ื ื›ื“ื™ ืœื”ื‘ื˜ื™ื— ืฉื›ื•ืœื, ืžื™ืœื“ื™ื ื•ืขื“ ืกื‘ื™ื, ื™ืงื•ืžื• ืœืจืงื•ื“.5. ื”ืงืฉืจ ื”ืืžืŸ"Cumbias Viejitas" ืื™ื ื• ืืžืŸ ื‘ื•ื“ื“ ืืœื ืงื˜ื’ื•ืจื™ื” ืžื•ื–ื™ืงืœื™ืช, ื”ื›ื•ืœืœืช ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื”ืจื›ื‘ื™ื ืื’ื“ื™ื™ื ื›ืžื• La Sonora Dinamita, Los Corraleros de Majagual, ืื• La Sonora Matancera. ื”ืฉื™ืจ "Charanga" ืžืฉืชืœื‘ ื‘"ืชื•ืจ ื”ื–ื”ื‘" ืฉืœ Discos Fuentes (ื—ื‘ืจืช ื”ืชืงืœื™ื˜ื™ื ื”ืงื•ืœื•ืžื‘ื™ืื ื™ืช ื”ืžืคื•ืจืกืžืช). ื‘ืชืงื•ืคื” ื–ื•, ืืžื ื™ื ืฉืืคื• ืœืžื–ื’ ืžืงืฆื‘ื™ ืคื•ืœืงืœื•ืจ ืžืกื•ืจืชื™ื™ื ืขื ืชื–ืžื•ืจ ืฉืœ ื‘ื™ื’-ื‘ื ื“ ื›ื“ื™ ืœื”ืคื•ืš ืืช ื”ืงื•ืžื‘ื™ื” ืœืกื•ื’ื” ืžืชื•ื—ื›ืžืช ืืš ื ื’ื™ืฉื”, ืฉื ื™ืชืŸ ืœื™ื™ืฆื ืžื”ื—ื•ืฃ ื”ืงืจื™ื‘ื™ ืœืฉืืจ ื”ืขื•ืœื.

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