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La flaca (acรบstica)

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Jarabe de Palo

La flaca (acรบstica)

Jarabe de Palo

ืžืงื•ืจ ื”ืืžืŸ Jarabe de Palo ื”ื™ื ืœื”ืงืช ืคื•ืค-ืจื•ืง ืกืคืจื“ื™ืช ืฉื”ื•ืงืžื” ื‘ื‘ืจืฆืœื•ื ื” ื‘ืฉื ืช 1996 ืขืœ ื™ื“ื™ ื”ืกื•ืœืŸ ืคืื•ืœ ื“ื•ื ืก. ื”ืœื”ืงื” ืจื›ืฉื” ืคื•ืคื•ืœืจื™ื•ืช ื‘ืกื•ืฃ ืฉื ื•ืช ื”-90 ื•ืชื—ื™ืœืช ืฉื ื•ืช ื”-2000, ื•ื› ื™ื“ื•ืขื” ื‘ื–ื›ื•ืช ื”ืคื™ืชื•ื™ื™ื ื”ืžืœื•ื“ื™ื™ื ืฉืœื” ื•ืžื™ืœื™ื ืฉืžืฉืœื‘ื•ืช ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื ื•ืฉืื™ื ืจื•ืžื ื˜ื™ื™ื ืขื ื ื’ื™ืขื” ืฉืœ ืชื’ื•ื‘ื•ืช ื—ื‘ืจืชื™ื•ืช.ืกื’ื ื•ืŸ ื”ืกื’ื ื•ืŸ ืฉืœ "La flaca (acรบstica)" ื™ื›ื•ืœ ืœื”ื™ื•ืช ืžืกื•ื•ื’ ื›ืคื•ืค-ืจื•ืง ืขื ื”ืฉืคืขื•ืช ื—ื–ืงื•ืช ืžืžื•ื–ื™ืงื” ืœื˜ื™ื ื™ืช. ื”ื’ืจืกื” ื”ืืงื•ืกื˜ื™ืช ืžื“ื’ื™ืฉื” ืืช ื”ืืœืžื ื˜ื™ื ื”ืžืœื•ื“ื™ื™ื ื•ืžืฆื™ื’ื” ืืช ื”ืžื•ื–ื™ืงืœื™ื•ืช ืฉืœ ื”ืœื”ืงื”.ื ื•ืฉื ื›ืœืœื™ ื”ืฉื™ืจ ืžืชืจื›ื– ื‘ื”ืขืจื›ื” ื•ื‘ืžืฉื™ื›ื” ืœืื™ืฉื” ื”ืžื•ื›ืจืช ื›"La Flaca", ื”ืžื™ื™ืฆื’ืช ื™ื•ืคื™, ื—ื™ื•ื ื™ื•ืช ื•ื›ื™ืฉื•ืฃ. ื”ื•ื ื—ื•ืงืจ ื ื•ืฉืื™ื ืฉืœ ืจืฆื•ืŸ, ื’ืขื’ื•ืขื™ื ื•ื—ื•ื•ื™ื” ืฉืžื—ื” ืืš ืžืชื•ืงื” ืฉืœ ืื”ื‘ื”.ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—

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ื”ืžืฉืคื˜ "En la vida conocรญ mujer igual a la Flaca" ("ื‘ื—ืฉ life, ืคื’ืฉืชื™ ืื™ืฉื” ื›ืžื• La Flaca") ืงื•ื‘ืข ืืช ื”ื™ื™ื—ื•ื“ื™ื•ืช ืฉืœ ื”ืื™ืฉื” ื‘ื—ื™ื™ื• ืฉืœ ื”ื–ืžืจ, ืžื“ื’ื™ืฉ ืืช ื”ืžืฉื™ื›ื” ื”ืขืžื•ืงื” ืฉืœื•. ื”ื“ื™ืžื•ื™ ืฉืœ "Cien libras de piel y hueso, cuarenta kilos de salsa" ("ืžืื” ืคืื•ื ื“ ืฉืœ ืขื•ืจ ื•ืขืฆื, ืืจื‘ืขื™ื ืงื™ืœื•ื’ืจื ืฉืœ ืกืœื˜ื”") ืชื•ืคืก ื‘ืฆื•ืจื” ื™ืคื” ืืช ื”ื“ืžื•ืช ื”ืจื–ื” ืฉืœื” ื•ืืช ืจื•ื— ื”ื—ื™ื™ื ื”ื—ื™ื” ืฉืœื”. ืžืขื‘ืจ ืœื›ืš, "Por un beso de la Flaca darรญa lo que fuera" ("ื‘ืขื‘ื•ืจ ื ืฉื™ืงื” ืž-La Flaca, ื”ื™ื™ืชื™ ื ื•ืชืŸ ื›ืœ ืžื” ืฉืฆืจื™ืš") ืžื“ื’ื™ืฉ ืืช ืขื•ืฆืžืช ื”ืจืฆื•ืŸ ืฉืœ ื”ื–ืžืจ, encapsulating ืืช desperation ืฉืžืœื•ื•ื” ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื”ืชืื”ื‘ื•ืช.ื˜ื•ืŸ ืจื’ืฉื™ ื”ื˜ื•ืŸ ื”ืจื’ืฉื™ ืฉืœ ื”ืฉื™ืจ ืžืชื ื“ื ื“ ื‘ื™ืŸ ื”ืชืœื”ื‘ื•ืช ืœื’ืขื’ื•ืข. ื”ืงืฆื‘ ื”ืขืœื™ื– ืžืขื‘ื™ืจ ืชื—ื•ืฉื” ืฉืœ ืฉืžื—ื” ื•ื—ื’ื™ื’ื™ื•ืช, ื‘ืขื•ื“ ื”ืžื™ืœื™ื ืžื‘ื˜ืื•ืช ืจืฆื•ืŸ ืจื’ืฉื™ ืขืžื•ืง ื•ืืช ื”ื˜ื‘ืข ื”ืžืชื•ืง-ืžืจื™ืจ ืฉืœ ื”ืชืฉื•ืงื”.ื”ืงืฉืจ ืชืจื‘ื•ืชื™ ื”ืฉื™ืจ ืžืฉืงืฃ ืืœืžื ื˜ื™ื ืฉืœ ืชืจื‘ื•ืช ืกืคืจื“ื™ืช ื•ืœื˜ื™ื ื™ืช, ื‘ืžื™ื•ื—ื“ ื“ืจืš ื”ืคื ื™ื•ืช ืœืจื™ืงื•ื“ ื•ื—ื™ื™ ืœื™ืœื”, ื›ืžื• "bailar a la tasca" ("ืœืจืงื•ื“ ื‘ื‘ืจ"). ื”ื•ื ืžื’ืœื ืืช ื”ื—ื™ื•ื ื™ื•ืช ื•ืืช ื”ืื ืจื’ื™ื” ืฉืœ ื”ื—ื™ื™ื ื‘ืขื™ืจ, ืžื”ื“ื”ื“ ืืช ื”ืื•ื•ื™ืจื” ื”ื—ื™ื” ืฉืœ ืขืจื™ื ื›ืžื• ื”ื•ื•ืื ื”, ื‘ื”ืŸ ืœืชืจื‘ื•ืช ื•ืœืžื•ื–ื™ืงื” ื™ืฉ ืชืคืงื™ื“ื™ื ืื™ื ื˜ื’ืจืœื™ื™ื.ื”ืงืฉืจ ืœืืžืŸ "La flaca" ื”ื•ื ืื—ื“ ื”ืฉื™ืจื™ื ื”ืื™ื™ืงื•ื ื™ื™ื ื‘ื™ื•ืชืจ ืฉืœ Jarabe de Palo ื•ื”ื™ื™ืชื” ืœื• ืชืจื•ืžื” ืžืฉืžืขื•ืชื™ืช ืœืคื•ืคื•ืœืจื™ื•ืช ืฉืœื”ื. ื”ืฉื™ืจ ืฉื•ื—ืจืจ ื›ื—ืœืง ืžืืœื‘ื•ื ื”ื‘ื›ื•ืจื” ืฉืœื”ื "La Flaca" (1996), ื•ื”ื•ื ืžืฆื™ื’ ืืช ื™ื›ื•ืœืช ื”ื›ืชื™ื‘ื” ื•ื”ืกื’ื ื•ืŸ ื”ืžื•ื–ื™ืงืœื™ ืฉืœ ืคืื•ืœ ื“ื•ื ืก, ืงื•ื‘ืข ืืช ื”ื˜ื•ืŸ ืœืขืชื™ื“ ื”ืขื‘ื•ื“ื” ืฉืœ ื”ืœื”ืงื”. ื”ืฉื™ืจ ื”ืคืš ืœื—ืœืง ืžืžืœื•ื ื”ื“ื™ืกืงื•ื’ืจืคื™ื” ืฉืœื”ื, ืžื™ื™ืฆื’ ืืช ื”ืฉื™ืœื•ื‘ ืฉืœ ืžื™ืœื™ื ืžืœืื•ืช ืจื’ืฉ ืขื ืžืœื•ื“ื™ื•ืช ืงืœื™ื˜ื•ืช.

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