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Mac Salvador - NECESITO DE TI (Gran Teatro Nacional 2018)

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Mac Salvador

ื”ื ื” ืชืจื’ื•ื ื˜ื‘ืขื™ ืœืขื‘ืจื™ืช ืฉืœ ื ื™ืชื•ื— ื”ืฉื™ืจ:"Necesito de Ti" (ืื ื™ ื–ืงื•ืง ืœืš) ืฉืœ ืžืืง ืกืœื‘ื“ื•ืจ (Mac Salvador) ื”ื™ื ื™ืฆื™ืจื” ืžื›ื•ื ื ืช ื‘ืžื•ื–ื™ืงื” ื”ืื ื“ื ื™ืช ื”ืขื›ืฉื•ื•ื™ืช. ื”ื•ืคืขืชื• ื‘ืฉื ืช 2018 ื‘"ื’ืจืืŸ ืชื™ืื˜ืจื• ื ืกื™ื•ื ืœ" (ื”ืชื™ืื˜ืจื•ืŸ ื”ืœืื•ืžื™ ื”ื’ื“ื•ืœ) ื‘ืœื™ืžื”, ืคืจื•, ื ื—ืฉื‘ืช ื‘ืขื™ื ื™ ืจื‘ื™ื ืœืื—ืช ื”ื’ืจืกืื•ืช ื”ืžื•ื‘ื”ืงื•ืช ื•ื”ื˜ืขื•ื ื•ืช ื‘ื™ื•ืชืจ ืžื‘ื—ื™ื ื” ืจื’ืฉื™ืช ืฉืœ ื”ืฉื™ืจ.ืœื”ืœืŸ ื ื™ืชื•ื— ื•ื”ืกื‘ืจ ืฉืœ ื”ื™ืฆื™ืจื”:ืชืžื” ืžืจื›ื–ื™ืชื”ืฉื™ืจ ื”ื•ื ื‘ื™ื˜ื•ื™ ืขืžื•ืง ืฉืœ ืชืœื•ืช ืจื’ืฉื™ืช ื•ื’ืขื’ื•ืข ืงื™ื•ืžื™. ื”ื•ื ื—ื•ืงืจ ืืช ื ื•ืฉื ื”-"desamor" (ืฉื™ื‘ืจื•ืŸ ืœื‘) ื•ืืช ื”ืจื™ืง ื”ืžื™ื™ืกืจ ืฉื”ื•ืชื™ืจื” ืื”ื•ื‘ื” ืฉืขื–ื‘ื”. ื”ืฉื™ืจ ืžืฆื™ื’ ืืช ื‘ืช ื”ื–ื•ื’ ืœื ืจืง ื›ืฉื•ืชืคื” ืœื—ื™ื™ื, ืืœื ื›ืฆื•ืจืš ื—ื™ื•ื ื™ ืœื”ื™ืฉืจื“ื•ืชื• ืฉืœ ื”ื–ืžืจ.ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—* *"Necesito de ti, como el aire que respiro..."* (ืื ื™ ื–ืงื•ืง ืœืš, ื›ืžื• ื”ืื•ื•ื™ืจ ืฉืื ื™ ื ื•ืฉื): ื”ืžื˜ืคื•ืจื” ื”ืคื•ืชื—ืช ื”ื–ื• ืงื•ื‘ืขืช ืืช ื’ื•ื‘ื” ื”ืœื”ื‘ื•ืช ื‘ืฉื™ืจ. ื”ื™ื ืžืขืœื” ืืช ืžืขืจื›ืช ื”ื™ื—ืกื™ื ืžื“ืจื’ืช ืจื•ืžื ื˜ื™ืงื” ืคืฉื•ื˜ื” ืœื“ืจื’ืช ืฆื•ืจืš ื‘ื™ื•ืœื•ื’ื™, ื•ืžืจืžื–ืช ืฉื‘ืœืขื“ื™ ื”ืื“ื ื”ืื—ืจ, ื”ื–ืžืจ ืคืฉื•ื˜ ื ื—ื ืง.

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* *"Sin tu amor, mi vida no tiene sentido..."* (ื‘ืœื™ ืื”ื‘ืชืš, ืœื—ื™ื™ ืื™ืŸ ืžืฉืžืขื•ืช): ืฉื•ืจื” ื–ื• ืžืฉืงืคืช ืžื•ื˜ื™ื‘ ื ืคื•ืฅ ื‘ื‘ืœื“ื•ืช ื”ืื ื“ื ื™ื•ืช โ€“ ื”"ื”ืชืžืกืจื•ืช ื”ืžื•ื—ืœื˜ืช" ืœืื”ื‘ื”. ื”ื™ื ืžืชืืจืช ืžืฆื‘ ืฉืœ ืคื’ื™ืขื•ืช ืฉื‘ื• ื”ืขืฆืžื™ ืžื•ื’ื“ืจ ื›ื•ืœื• ืขืœ ื™ื“ื™ ื ื•ื›ื—ื•ืชื” ืฉืœ ื”ืื”ื•ื‘ื”.* *"Vuelve pronto, que mi alma se muere de pena..."* (ืฉื•ื‘ื™ ื‘ืงืจื•ื‘, ื›ื™ ื ืฉืžืชื™ ื’ื•ื•ืขืช ืžืฆืขืจ): ื›ืืŸ ืกืœื‘ื“ื•ืจ ืžืฉืชืžืฉ ื‘ืžื•ืฉื’ ื”"ื ืฉืžื”" (*alma*) ื›ื“ื™ ืœืฆื™ื™ืŸ ืฉื”ื›ืื‘ ืื™ื ื• ืจืง ื ืคืฉื™ ืืœื ืจื•ื—ื ื™. ื”ื“ื—ื™ืคื•ืช ื‘ืชื—ื™ื ื” "ืฉื•ื‘ื™ ื‘ืงืจื•ื‘" ืžื“ื’ื™ืฉื” ืืช ื”ื™ื™ืื•ืฉ ืฉืœ ื”ื“ื•ื‘ืจ.ื˜ื•ืŸ ืจื’ืฉื™ื”ื˜ื•ืŸ ื”ื•ื ืžืœื ื›ื•ืœื™ ืขืžื•ืง, ืคื’ื™ืข ื•ื—ื’ื™ื’ื™. ื‘ื’ืจืกืช ื”ืœื™ื™ื‘ ืž-2018, ื”ื“ื‘ืจ ืžื•ืขืฆื ืขืœ ื™ื“ื™ ืกื’ื ื•ืŸ ื”ืฉื™ืจื” ื”ื™ื™ื—ื•ื“ื™ ืฉืœ ืžืืง ืกืœื‘ื“ื•ืจ โ€“ ืžื—ื•ืกืคืก, ื’ื‘ื•ื” ื•ืžืขื˜ ืฆืจื•ื“ โ€“ ืฉืžืขื‘ื™ืจ ืชื—ื•ืฉื” ืฉืœ "llanto" (ื‘ื›ื™) ืชื•ืš ื›ื“ื™ ืฉื™ืจื”. ื”ืขื™ื‘ื•ื“ื™ื ื”ืชื–ืžื•ืจืชื™ื™ื ื‘ืชื™ืื˜ืจื•ืŸ ื”ืœืื•ืžื™ ืžื•ืกื™ืคื™ื ืจื•ื‘ื“ ืฉืœ ื”ื•ื“ ื•ื™ื•ืคื™ ื˜ืจื’ื™ ืœื›ืื‘ ื”ืื™ื ื˜ื™ืžื™ ื”ืžืชื•ืืจ ื‘ืžื™ืœื™ื.ื”ืงืฉืจ ืชืจื‘ื•ืชื™ื”ืฉื™ืจ ืฉื™ื™ืš ืœื–'ืื ืจ ื”-Mรบsica Andina Contemporรกnea (ืžื•ื–ื™ืงื” ืื ื“ื ื™ืช ืขื›ืฉื•ื•ื™ืช). ืžื‘ื—ื™ื ื” ื”ื™ืกื˜ื•ืจื™ืช, ื”ืžื•ื–ื™ืงื” ื”ืื ื“ื ื™ืช ื ื“ื—ืงื” ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืœืคืกื˜ื™ื‘ืœื™ื ื›ืคืจื™ื™ื ืื• ืœืžื•ืขื“ื•ื ื™ื ืงื˜ื ื™ื. ืขื ื–ืืช, ื”ื•ืคืขืชื• ืฉืœ ืกืœื‘ื“ื•ืจ ื‘-Gran Teatro Nacional โ€“ ื”ื‘ืžื” ื”ื™ื•ืงืจืชื™ืช ื‘ื™ื•ืชืจ ื‘ืคืจื• โ€“ ืžืกืžืœืช ืืช ื”"ื ื™ืฆื—ื•ืŸ" ืฉืœ ื”ื”ื’ื™ืจื” ื•ื”ืชืจื‘ื•ืช ื”ืื ื“ื ื™ืช ื‘ืขื™ืจ ื”ื‘ื™ืจื”. ื”ืฉื™ืจ ืžื™ื™ืฆื’ ื’ืฉืจ ื‘ื™ืŸ ื”ืจื’ื™ืฉื•ื™ื•ืช ืฉืœ ื”"ื•ื•ืื™ื ื•" (Huayno) ื”ืžืกื•ืจืชื™ (ื”ืžืชืžืงื“ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื‘ืื•ื‘ื“ืŸ ื•ื ื•ืกื˜ืœื’ื™ื”) ืœื‘ื™ืŸ ื”ืคืงื” ืžื•ื“ืจื ื™ืช ื•ืžืชื•ื—ื›ืžืช ืฉืœ ื‘ืœื“ืช ืคื•ืค.ื”ืงืฉืจ ื”ืืžืŸืžืืง ืกืœื‘ื“ื•ืจ ืžื›ื•ื ื” ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช "ื”ืื™ื™ื“ื•ืœ ืฉืœ ื”ืžื•ื–ื™ืงื” ื”ืื ื“ื ื™ืช ื”ืขื›ืฉื•ื•ื™ืช". ื‘ืžื”ืœืš ื”ืงืจื™ื™ืจื” ืฉืœื•, "Necesito de Ti" ื”ืคืš ืœื”ืžื ื•ืŸ ื”ืžื–ื•ื”ื” ืื™ืชื• ื‘ื™ื•ืชืจ, ืฉื‘ื™ืกืก ืืช ื”ืžื•ื ื™ื˜ื™ืŸ ืฉืœื• ื›ืืžืŸ ืžื•ื‘ื™ืœ ืฉืœ ื”ื‘ืœื“ื” ื”ืื ื“ื ื™ืช ื”ืจื•ืžื ื˜ื™ืช. ื”ืงื•ื ืฆืจื˜ ื‘-2018 ื”ื™ื” ืจื’ืข ืžื›ื•ื ืŸ ื‘ืงืจื™ื™ืจื” ืฉืœื•, ื•ื”ืฆื™ื’ ืืช ื”ืžืขื‘ืจ ืฉืœื• ืžืืžืŸ ืคื•ืœืง ืคื•ืคื•ืœืจื™ ืœืคืจืคื•ืจืžืจ ื‘ืจืžื” ื’ื‘ื•ื”ื” ื”ืžืกื•ื’ืœ ืœื”ื•ื‘ื™ืœ ื‘ืžื” ืกื™ืžืคื•ื ื™ืช. ื’ืจืกื” ืกืคืฆื™ืคื™ืช ื–ื• ืžืฆื•ื˜ื˜ืช ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืขืœ ื™ื“ื™ ืžืขืจื™ืฆื™ื ื›ืฉื™ื ื”ืจื’ืฉื™ ืฉืœ ื”ื“ื™ืกืงื•ื’ืจืคื™ื” ืฉืœื•.

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