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MONTAGEM MIAU

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gedam nesh

MONTAGEM MIAU

gedam nesh

ืžืงื•ืจ ื”ืืžืŸ: Gedam Nesh ื”ื•ื ืžื•ื–ื™ืงืื™ ื‘ืจื–ื™ืœืื™ ื™ื“ื•ืข ืขืœ ืฉื™ืœื•ื‘ ืกื’ื ื•ื ื•ืช ืžื•ื–ื™ืงืœื™ื™ื ืฉื•ื ื™ื, ื‘ืžื™ื•ื—ื“ ื‘ืชื—ื•ื ื”ื”ื™ืค-ื”ื•ืค ื•ื”ืžื•ื–ื™ืงื” ื”ืืœืงื˜ืจื•ื ื™ืช. ื esh ื–ื›ื” ืœื”ื›ืจื” ื‘ื‘ืจื–ื™ืœ ื‘ื–ื›ื•ืช ื”ืฆืœื™ืœ ื”ืืงืœืงื˜ื™ ืฉืœื• ื•ืชื•ื›ืŸ ื”ืœื™ืจื™ ื”ื—ื“ืฉื ื™, ื”ืžื”ื“ื”ื“ ืขื ืงื”ืœ ืžื’ื•ื•ืŸ.ืกื’ื ื•ืŸ: ื”ืฉื™ืจ "MONTAGEM MIAU" ืžืฉืชื™ื™ืš ืœื–'ืื ืจื™ื ืฉืœ ื”ื™ืค-ื”ื•ืค ื•ื˜ืจืืค, ื›ื•ืœืœ ื‘ื™ื˜ื™ื ืืœืงื˜ืจื•ื ื™ื™ื ื•ืกื’ื ื•ืŸ ื”ืคืงื” ืžื•ื“ืจื ื™ ื”ืžืืคื™ื™ืŸ ืืช ื”ืžื•ื–ื™ืงื” ื”ืื•ืจื‘ื ื™ืช ื”ื‘ืจื–ื™ืœืื™ืช ื”ืข contemporary.ื ื•ืฉื ื›ืœืœื™: "MONTAGEM MIAU" ื—ื•ืงืจืช ื ื•ืฉืื™ื ืฉืœ ื‘ื™ื˜ื•ื™ ืขืฆืžื™, ืื™ื ื“ื™ื‘ื™ื“ื•ืืœื™ื•ืช ื•ืžื•ืจื›ื‘ื•ืช ื—ื™ื™ ื”ืขื™ืจ. ื”ืžื™ืœื™ื ืžืฉืงืคื•ืช ื’ื™ืฉื” ืžืฉื—ืงื™ืช ืืš ืื™ื ื˜rosืคืงื˜ื™ื‘ื™ืช, ื”ืฉื•ื–ืจืช ื”ื•ืžื•ืจ ืขื ื”ืชื‘ื•ื ื ื•ื™ื•ืช ืขืžื•ืงื•ืช ืขืœ ื–ื”ื•ืช ืื™ืฉื™ืช ื•ื“ื™ื ืžื™ืงื•ืช ื—ื‘ืจืชื™ื•ืช.ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—:

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ืื—ืช ื”ืฉื•ืจื•ืช ื”ืžืจื›ื–ื™ื•ืช ื‘ืฉื™ืจ ื”ื™ื โ€œA vida รฉ uma montagem, e eu sou a cenaโ€ (ื”ื—ื™ื™ื ื”ื ื”ืจื›ื‘ื”, ื•ืื ื™ ื”ืกืฆื ื”). ืฉื•ืจื” ื–ื• ืžื“ื’ื™ืฉื” ืืช ื”ืจืขื™ื•ืŸ ืฉื”ื—ื™ื™ื ื”ื ืงื•ืžืคื•ื–ื™ืฆื™ื” ืฉืœ ื—ื•ื•ื™ื•ืช ืฉื•ื ื•ืช, ื•ื›ืœ ืื—ื“ ืžืฉื—ืง ืชืคืงื™ื“ ื™ื™ื—ื•ื“ื™ ื‘ืกื™ืคื•ืจ ืฉืœื•. ื–ื” ืžืฆื™ืข ืคืจืกืคืงื˜ื™ื‘ื” ื™ืฆื™ืจืชื™ืช ืขืœ ื”ื—ื™ื™ื, ืžื“ื’ื™ืฉ ืืช ื”ื—ืฉื™ื‘ื•ืช ืฉืœ ืœื”ื™ื•ืช ืžืฉืชืชืฃ ืคืขื™ืœ ื‘ืขื™ืฆื•ื‘ ื”ืกื™ืคื•ืจ ื”ืื™ืฉื™.ื˜ื•ื ืฆื™ื” ืจื’ืฉื™ืช: ื”ืฉื™ืจ ืžืขื‘ื™ืจ ืชืขืจื•ื‘ืช ื“ื™ื ืžื™ืช ืฉืœ ืจื’ืฉื•ืช, ื‘ืขื™ืงืจ ืžืฆื™ื’ ื‘ื™ื˜ื—ื•ืŸ, ืฉื•ื‘ื‘ื•ืช ื•ืื™ื ื˜rospection. ื‘ืขื•ื“ ืฉื™ืฉ ืจื’ืขื™ื ืฉืœ ื”ื•ืžื•ืจ, ื™ืฉ ื’ื ืจืฆื™ื ื•ืช ื™ืกื•ื“ื™ืช ืœื’ื‘ื™ ื”ืชืžื•ื“ื“ื•ืช ืขื ืžื•ืจื›ื‘ื•ืช ื”ื—ื™ื™ื.ื”ืงืฉืจ ืชืจื‘ื•ืชื™: ื”ืฉื™ืจ ื›ื•ืœืœ ืืœืžื ื˜ื™ื ื ืคื•ืฆื™ื ื‘ืชืจื‘ื•ืช ื”ืคื•ืค ื”ื‘ืจื–ื™ืœืื™ืช, ื›ืžื• ืื–ื›ื•ืจื™ื ืœืจืฉืชื•ืช ื—ื‘ืจืชื™ื•ืช ื•ืื•ืจื— ื—ื™ื™ื ืื•ืจื‘ื ื™, ืืฉืจ ืžื”ื“ื”ื“ื™ื ื—ื–ืง ืขื ืงื”ืœื™ื ืฆืขื™ืจื™ื. ื”ื˜ื•ืŸ ื”ืžืฉื—ืงื™ ื•ื”ืžืงืฆื‘ ื”ืžื•ืฉืš ืžืฉืงืคื™ื ืืช ื”ื˜ื‘ืข ื”ืชื•ืกืก ื•ื”ืžืชืคืชื— ืฉืœ ื”ืžื•ื–ื™ืงื” ื”ื‘ืจื–ื™ืœืื™ืช ื”ืข contemporary, ืืฉืจ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืžืฉืœื‘ืช ื”ืฉืคืขื•ืช ืžืกื•ืจืชื™ื•ืช ื•ืžื•ื“ืจื ื™ื•ืช.ื”ืงืฉืจ ืœืืžืŸ: "MONTAGEM MIAU" ืžื™ื™ืฆื’ ืจื’ืข ืžืฉืžืขื•ืชื™ ื‘ืงืจื™ื™ืจื” ืฉืœ Gedam Nesh, ืžืจืื” ืืช ื”ื”ืชืคืชื—ื•ืช ื”ื artรญstica ืฉืœื• ื•ืืช ื”ื™ื›ื•ืœืช ืœื”ืชื—ื‘ืจ ืœืงื”ืœ ืฉืœื• ื“ืจืš ื ื•ืฉืื™ื ื ื•ื’ืขื™ื ืœืœื‘. ื”ื•ื ืžืฉืชืœื‘ ื‘ืชื•ืš ื”ื“ื™ืกืงื•ื’ืจืคื™ื” ื”ืจื—ื‘ื” ืฉืœื• ื›ู‚ุทืข ื”ืžื“ื’ื™ืฉ ืืช ื›ืฉืจื•ื ื• ื‘ืœ weaving narratives ืื™ืฉื™ื™ื ืœืชืฆื•ืจื•ืช ืžื•ื–ื™ืงืœื™ื•ืช ืžืจืชืงื•ืช, ืชื•ืš ืชืจื•ืžื” ืœื ื•ืฃ ื”ืžืชืคืชื— ืฉืœ ื”ืžื•ื–ื™ืงื” ื”ืื•ืจื‘ื ื™ืช ื”ื‘ืจื–ื™ืœืื™ืช.

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MONTAGEM MIAU - gedam nesh | Lyrics Interpretation | SORI Magazine