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MONTAGEM MIRAGE

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NUEKI

MONTAGEM MIRAGE

NUEKI

ืžืงื•ืจื•ืช ื”ืืžืŸ: NUEKI ื”ื•ื ืืžืŸ ืžื‘ืจื–ื™ืœ, ื”ื™ื“ื•ืข ื‘ืฉื™ืœื•ื‘ ื”ืฉืคืขื•ืช ืžื•ื–ื™ืงืœื™ื•ืช ืฉื•ื ื•ืช, ื‘ืžื™ื•ื—ื“ ื‘ืžื•ื–ื™ืงืช ื”ื™ืค-ื”ื•ืค ื•ืžื•ื–ื™ืงื” ืืœืงื˜ืจื•ื ื™ืช. ืขื ืจืงืข ืฉืžืฉืงืฃ ืืช ื”ืขื•ืฉืจ ื”ืชืจื‘ื•ืชื™ ืฉืœ ื‘ืจื–ื™ืœ, NUEKI ืžืฉืœื‘ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืืœืžื ื˜ื™ื ืžื”ืฉืคื” ื”ืžื“ื•ื‘ืจืช ื”ื‘ืจื–ื™ืœืื™ืช ื•ื ืจื˜ื™ื‘ื™ื ืื™ืฉื™ื™ื ื‘ืขื‘ื•ื“ืชื•, ืžื” ืฉื”ื•ืคืš ืื•ืชื” ืœื ื’ื™ืฉื” ื•ืžื–ื•ื”ื” ืขื‘ื•ืจ ืงื”ืœ ืจื—ื‘.ื–'ืื ืจ: ื”ืฉื™ืจ "MONTAGEM MIRAGE" ื ื™ืชืŸ ืœืกื™ื•ื•ื’ ื‘ืขื™ืงืจ ื›ื”ื™ืค-ื”ื•ืค, ืขื ื”ืฉืคืขื•ืช ืžืžื•ื–ื™ืงื” ืืœืงื˜ืจื•ื ื™ืช ื•ืืœืžื ื˜ื™ื ืฉืœ ื˜ืจืค. ื”ื”ืคืงื” ื›ื•ืœืœืช ื‘ื™ื˜ื™ื ื“ื™ื ืžื™ื™ื ื•ืื™ื ืกื˜ืจื•ืžื ื˜ืœื™ื•ืช ืžืจื•ื‘ื“ืช, ืืฉืจ ืžืืคื™ื™ื ื•ืช ืืช ื”ื–'ืื ืจื™ื ื”ืœืœื•.ื ื•ืฉื ื›ืœืœื™: "MONTAGEM MIRAGE" ื—ื•ืงืจ ื ื•ืฉืื™ื ืฉืœ ืืฉืœื™ื” ื•ืžืฆื™ืื•ืช, ื•ืžืฉืงืฃ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื—ื•ื•ื™ื•ืช ืื™ืฉื™ื•ืช ื•ืฆื™ืคื™ื•ืช ื—ื‘ืจืชื™ื•ืช. ื”ืฉื™ืจ ืขื•ืกืง ื‘ืจืขื™ื•ืŸ ืฉืœ ื‘ื ื™ื™ืช ื—ื–ื™ืช ืฉื™ื›ื•ืœื” ืฉืœื ืœื”ืชืื™ื ืœื–ื”ื•ืช ื”ืขืฆืžื™ืช, ืžืชืžื•ื“ื“ ืขื ื”ืงืฉื™ื™ื ืฉืœ ืื•ืชื ื˜ื™ื•ืช ื‘ืขื•ืœื ืžืœื ืฉื˜ื—ื™ื•ืช.ื ื™ืชื•ื— ืžื™ืœื•ืช ืžืคืชื—:

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ืฉื•ืจื” ื‘ื•ืœื˜ืช ืžื”ืฉื™ืจ ื”ื™ื: "A vida รฉ uma montagem, quem sou eu pra dizer?" (ื”ื—ื™ื™ื ื”ื ืขื™ื‘ื•ื“, ืžื™ ืื ื™ ืฉืื’ื™ื“?). ืฉื•ืจื” ื–ื• ืžื“ื’ื™ืฉื” ืืช ื”ื ื•ืฉื ื”ืžืจื›ื–ื™ ืฉืœ ื”ืฉื™ืจ, suggesting that life can be crafted to fit various narratives and that identity is often constructed rather than innate. ื”ื™ื ืžืขื•ืจืจืช ืืช ื”ืฉืืœื” ืฉืœ ื”ื’ื“ืจื” ืขืฆืžื™ืช ื‘ืขื•ืœื ืฉื‘ื• ื“ื™ืžื•ื™ื™ื ื•ื“ืžื•ื™ื•ืช ื ืฉืœื˜ื•ืช.ื’ื•ื•ืŸ ืจื’ืฉื™: ื”ื’ื•ื•ืŸ ื”ืจื’ืฉื™ ืฉืœ "MONTAGEM MIRAGE" ื”ื•ื ืชืขืจื•ื‘ืช ืฉืœ ืื™ื ื˜ืจื•ืกืคืงืฆื™ื” ื•ืืชื’ืจ. ื™ืฉื ื” ืชื—ื•ืฉืช ืคื’ื™ืขื•ืช ื›ืืฉืจ ื”ืืžืŸ ืžืชืžื•ื“ื“ ืขื ืงื•ื ืคืœื™ืงื˜ื™ื ืคื ื™ืžื™ื™ื, ืืš ื™ืฉ ื’ื ื’ื•ื•ืŸ ืžืขืฆื™ื ืฉืงื•ืจื ืœืงื‘ืœื” ืขืฆืžื™ืช ื•ื”ืื•ืžืฅ ืœื”ืชืžื•ื“ื“ ืขื ื”ืืžื™ืชื•ืช ืฉืœ ืขืฆืžื.ื”ืงืฉืจ ืชืจื‘ื•ืชื™: ื”ืฉื™ืจ ืžืฉืงืฃ ืืช ื”ืชืจื‘ื•ืช ื”ืขื™ืจื•ื ื™ืช ื”ื‘ืจื–ื™ืœืื™ืช ื”ืขื›ืฉื•ื•ื™ืช, ืฉื‘ื” ื‘ืขื™ื•ืช ื–ื”ื•ืช ื—ื‘ืจืชื™ืช ื•ื™ื™ืฆื•ื’ ื”ื•ืœื›ื•ืช ื•ืžืชืจืงืžื•ืช. NUEKI, ื‘ื›ืš ืฉื”ื•ื ืขื•ืกืง ื‘ื ื•ืื ืกื™ื ืฉืœ ืืฉืœื™ื” ืžื•ืœ ืžืฆื™ืื•ืช, ื ื•ื’ืข ื‘ื“ื™ื•ื ื™ื ืจื—ื‘ื™ื ื™ื•ืชืจ ืขืœ ืื™ืš ืื ืฉื™ื ืžื ื•ื•ื˜ื™ื ืืช ื–ื”ื•ืชื ื‘ืกื‘ื™ื‘ื•ืช ื“ื•ืžื™ื ื ื˜ื™ื•ืช ืฉืœ ืžื“ื™ื” ื—ื‘ืจืชื™ืช.ื”ืงืฉืจ ื”ืืžืŸ: "MONTAGEM MIRAGE" ื‘ืขืœ ื—ืฉื™ื‘ื•ืช ื‘ืงืจื™ื™ืจื” ืฉืœ NUEKI ืฉื›ืŸ ื”ื•ื ืžื“ื’ื™ื ืืช ื”ืฆืžื™ื—ื” ืฉืœื• ื›ืืžืŸ ื•ืืช ื”ื™ื›ื•ืœืช ืฉืœื• ืœืฉื–ื•ืจ ื ื•ืฉืื™ื ืžื•ืจื›ื‘ื™ื ื‘ืžื•ื–ื™ืงื” ื ื’ื™ืฉื”. ื”ืฉื™ืจ ื”ื–ื” ืžื—ื–ืง ืืช ืžืขืžื“ื• ื‘ืกืฆื ืช ื”ืžื•ื–ื™ืงื” ื”ื‘ืจื–ื™ืœืื™ืช, ื•ืžื“ื’ื™ืฉ ืืช ืกื’ื ื•ืŸ ื”ื ืจื˜ื™ื‘ ื”ื™ื™ื—ื•ื“ื™ ืฉืœื• ืฉืžื”ื“ื”ื“ ืขื ื“ื•ืจื•ืช ืฆืขื™ืจื™ื ื”ืžืชืžื•ื“ื“ื™ื ืขื ืงืฉื™ื™ื ื“ื•ืžื™ื. ื–ื” ืžื”ื•ื•ื” ืจื’ืข pivotal ืฉืขืฉื•ื™ ืœื”ื’ื“ื™ืจ ืืช ื”ืžืกืœื•ืœ ื”ืืžื ื•ืชื™ ืฉืœื• ืงื“ื™ืžื”.

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