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The Second Voice_LET ME BE

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The Second Voice, 5,9ย M de vues

The Second Voice_LET ME BE

The Second Voice, 5,9ย M de vues

ืžืงื•ืจ ื”ืืžืŸ: ื”ืืžืŸ ื”ื™ื“ื•ืข ื›-The Second Voice ื›ื›ืœ ื”ื ืจืื” ืžื’ื™ืข ืžืื–ื•ืจ ืฉืžืืžืฆืช ื”ืฉืคืขื•ืช ืžื•ืกื™ืงืœื™ื•ืช ืžื’ื•ื•ื ื•ืช, ืื ื›ื™ ืžื™ื“ืข ืกืคืฆื™ืคื™ ืœื’ื‘ื™ ืœืื•ืžื™ื•ืชื• ืื• ืจืงืข ืฉืœื• ืขืฉื•ื™ ืœื ืœื”ื™ื•ืช ื ื’ื™ืฉ ื‘ืงืœื•ืช. ื‘ื”ืชื‘ืกืก ืขืœ ืฉื ื”ืฉื™ืจ ื•ื”ื ื•ืฉืื™ื ืฉืœื•, ื™ื™ืชื›ืŸ ืฉื”ื ื”ื•ืฉืคืขื• ืžืฆืœื™ืœื™ื ื‘ื™ื ืœืื•ืžื™ื™ื, ืžื” ืฉื ื•ืชืŸ ืœืขื‘ื•ื“ื” ืฉืœื”ื ืืคื™ืœ ื’ืœื•ื‘ืœื™.ื–'ืื ืจ: ื”ืฉื™ืจ ื”ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ืžืกื•ื•ื’ ื‘ืขื™ืงืจ ื›ืžื•ื–ื™ืงืช ื“ืื ืก ืืœืงื˜ืจื•ื ื™ืช (EDM) ืื• ื“ืื ืก-ืคื•ืค, ืขื ืžืงืฆื‘ื™ื ืงืฆื‘ื™ื™ื ื•ืžื•ืงื“ ืขืœ ืชื ื•ืขื” ื•ืคื™ื–ื™ื•ืช, ื“ื‘ืจ ืฉืื•ืคื™ื™ื ื™ ืœืžื•ื–ื™ืงืช ืžื•ืขื“ื•ื ื™ื.ื ื•ืฉื ื›ืœืœื™: ื”ืฉื™ืจ "LET ME BE" ืกื•ื‘ื‘ ืกื‘ื™ื‘ ื ื•ืฉืื™ื ืฉืœ ื—ื™ืจื•ืช, ืกื ืกื•ืืœื™ื•ืช ื•ื”ื”ื ืื” ืžื”ืจื’ืข. ื”ื•ื ืงื•ืœื˜ ืืช ื”ื—ื•ื•ื™ื” ืฉืœ ืจื™ืงื•ื“ ื•ื—ื™ื‘ื•ืจ ืขื ืžื™ืฉื”ื• ืœืœื ืžื’ื‘ืœื•ืช, ืžื“ื’ื™ืฉ ื’ื™ืฉื” ื—ืกืจืช ื“ืื’ื•ืช ื›ืœืคื™ ืžืขืจื›ื•ืช ื™ื—ืกื™ื ื•ื—ื™ื‘ื•ืจ ืคื™ื–ื™.ื ื™ืชื•ื— ืžื™ืœื•ืช ู…ูุชื—ื•ืช:

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ื”ืžืฉืคื˜ ื”ื—ื•ื–ืจ, "Let me be," ืžืกืžืœ ืจืฆื•ืŸ ืœืื•ื˜ื•ื ื•ืžื™ื” ื•ืžืงื•ื ืœื™ื”ื ื•ืช ืžื”ืจื’ืข ืœืœื ื”ืคืจืขื•ืช. ื”ืžืฉืคื˜ "just feel" ืžื“ื’ื™ืฉ ืืช ื”ื—ืฉื™ื‘ื•ืช ืฉืœ ื—ื•ื•ื™ืช ืจื’ืฉื•ืช ื“ืจืš ืชื ื•ืขื” ืคื™ื–ื™ืช ื•ืœื ื“ืจืš ืฉื™ื—ื” ืื• ืชืงืฉื•ืจืช ืžื™ืœื•ืœื™ืช. ื”ืฉื•ืจื•ืช "Tonight we're free, no sleep / No love, just motion" ืžื“ื’ื™ืฉื•ืช ืขื•ื“ ื™ื•ืชืจ ืžืขืจื›ืช ื™ื—ืกื™ื ืคื™ื–ื™ืช ื—ืกืจืช ื“ืื’ื•ืช, ืฉืžืขื“ื™ืคื” ื”ื ืื” ื‘ื”ื•ื•ื” ืขืœ ืคื ื™ ื—ื™ื‘ื•ืจื™ื ืจื’ืฉื™ื™ื ืขืžื•ืงื™ื ื™ื•ืชืจ.ื˜ื•ืŸ ืจื’ืฉื™: ื”ืฉื™ืจ ืžืขื‘ื™ืจ ืชื—ื•ืฉื•ืช ืฉืœ ืฉื—ืจื•ืจ, ื”ืชืจื’ืฉื•ืช ื•ืื ืจื’ื™ื” ืกื ืกื•ืืœื™ืช. ื”ื•ื ืžืฉืจื•ืช ืชื—ื•ืฉืช ืฉืžื—ื” ืžืขื•ืจื‘ืช ืขื ื–ืจื ืกื•ื“ื ื™, ืฉื›ืŸ ื”ื•ื ืžืขื•ื“ื“ ืืช ื”ืžืื–ื™ื ื™ื ืœื”ืชืคืจืข ื•ืœื™ื”ื ื•ืช ืžื”ืจื™ืงื•ื“.ื”ืงืฉืจ ืชืจื‘ื•ืชื™: ื”ืฉื™ืจ ืžืฉืงืฃ ืชืจื‘ื•ืช ืžื•ืขื“ื•ื ื™ื ืžื•ื“ืจื ื™ืช ื•ื’ืœื•ื‘ืœื™ืช, ืžืงื“ื ืืช ื”ืจืขื™ื•ืŸ ืฉืœ ืื—ื“ื•ืช ื“ืจืš ืžื•ื–ื™ืงื” ื•ืชื ื•ืขื”. ื–ื” ืžืฉืคื™ืข ืขืœ ืื™ืš ืจื™ืงื•ื“ ื•ื”ื‘ืขื” ืจื’ืฉื™ืช ื™ื›ื•ืœื™ื ืœื’ืฉืจ ืขืœ ืคืขืจื™ื ืชืจื‘ื•ืชื™ื™ื, ืžื” ืฉื”ื•ืคืš ืื•ืชื• ืœ-relatable ืœืงื”ืœ ืจื—ื‘.ื”ืงืฉืจ ืืžืŸ: ื‘ื”ืงืฉืจ ืฉืœ ื”ืงืจื™ื™ืจื” ืฉืœ The Second Voice, "LET ME BE" ื›ื›ืœ ื”ื ืจืื” ืžื™ื™ืฆื’ ืกื’ื ื•ืŸ ื™ื™ื—ื•ื“ื™ ื”ืžืกื•ืžืŸ ื‘ืงื˜ืขื™ ื–ื™ื›ืจื•ืŸ ืงืฆื‘ื™ื™ื ื•ื‘ื™ื˜ื™ื ื™ื“ื™ื“ื•ืชื™ื™ื ืœืจื™ืงื•ื“. ื”ืงื˜ืข ื”ื–ื” ืขืฉื•ื™ ืœื”ื“ื’ื™ืฉ ืืช ื”ืื‘ื•ืœื•ืฆื™ื” ืฉืœ ื”ืืžืŸ ืื• ื”ื›ื™ื•ื•ืŸ ืฉืœื• ืœื™ืฆื•ืจ ืžื•ื–ื™ืงื” ืฉืžื–ื“ื”ื” ืขื ื—ื™ื™ ื”ืœื™ืœื” ื•ื”ืžืกื™ื‘ื•ืช, ื•ืžื“ื’ื™ืฉ ืืช ื”ืงืฉืจ ืฉืœื”ื ืœื˜ืจื ื“ื™ื ืžื•ื“ืจื ื™ื™ื ื‘ืžื•ื–ื™ืงืช ื“ืื ืก.

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